![]() The film has a mountain of problems including its reliance on 80s rock music to trigger member berries, CGI that looks questionable for a movie budgeted at $250 million dollars, the recurring theme of Thor needing to “find himself” which has been done to death over the course of 11 years, and the most criminal aspect of this film is the fact that the titledcharacter of Thor has become the worst aspect of his own movie.While Love was a pivotal character in Thor: Love & Thunder, the character doesn't have a counterpart in Marvel Comics. The filmmakers don’t agree as the movie refers to Jane as “The Mighty Thor” and at one point turns a series of characters into “Thor” relegating the character to a series of powers that can be claimed by anyone. The debate has raged since the creation of Jane Foster’s Thor in the recent adaption of the Marvel Comics about whether Jane can be a “Thor” in spite of the fact that Thor is the name of Odinson, not a mantle. ![]() RELATED: Thor: Love And Thunder Director Taika Waititi Casts Doubt On Whether His Star Wars Film Will Ever Get MadeĪnother issue here is the film’s desire to tear down its title character to be nothing more than a mantle. Even in a film that attempts to tackle the issue of terminal cancer, Taika Waititi deals with the subject in a comedy film in a manner that only makes sense if the person has the mental state of a child.Ĭhris Hemsworth as Thor in Marvel Studios’ THOR: LOVE AND THUNDER. ![]() This is the most accurate description of this movie in the worst way. The seriousness of Jane’s mortality is snuffed throughout the film by Taika Waititi’s need to inject comedy where it is not needed (a trope that is unbearable in films such as “Jojo Rabbit”).Ĭhris Hemsworth has described Taika Waititi’s style as a director as “an inner child running wild” saying that Love and Thunder is the film a 7-year-old would make. The film attempts to be a rom-com between Thor and Jane (and sometimes his weapons) while Jane is dealing with the very serious reality of her cancer. The opening act presents three different stories with three different tones and fails to mesh any of them together for a coherent story. Speaking of the writing, Thor: Love and Thunder is all over the place where nothing makes any sense. The dialogue throughout the film reinforces the Anti-God sentiment to where you feel there is a deeper message than the plot requires. Russel Crowe as Zeus in Thor: Love and Thunder Last month, Disney’s “Lightyear” bombed at the box office after negative press regarding the film’s same-sex kiss in the movie, and star Chris Evans’ comments saying that those who had a problem with the scene were “idiots who are going to die off like the dinosaurs.” After 4 weeks at the box office, the film has yet to recoup its $200 million dollar production budget in what looks to be a loss of well over $150 million dollars when the film is pulled from theaters. They didn’t win, and as a result, the Florida Legislature passed legislation ending Disney’s tax and governing exemptions afforded to the company-owned Reedy Creek Improvement District, upon which the Walt Disney World Resort sits. The company went to war with Florida Governor Ron DeSantis over the Parental Rights in Education bill, which prohibits the teaching of sexuality and transgenderism to children between kindergarten and third grade. Their stock is down about 35% from where it was at the beginning of the year. It hasn’t been a good year for Disney in 2022. RELATED: Thor: Love And Thunder Plot Leaks Reveal Guardians Of The Galaxy’s Role, Fate Of Jane Foster Tessa Thompson as King Valkyrie in Marvel Studios’ THOR: LOVE AND THUNDER.
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